The
Future Of Music: Web Resources
Computer
Music Journal
| Composition
Systems |
Notation
& Music Publishing |
File
Formats |
| MIDI |
New
Music Record Labels & Distributors |
Spatialization |
| Organizations |
Pages
of Computer Music Links |
Plug-ins |
| Products,
Suppliers, etc. |
Publications |
Reference
Sources |
| Research
Centers & Universities |
Sample
Code |
Signal
Processing |
| Sound
Archives |
Instruments
& Analysis |
Synthesis
Languages |
| Tutorials |
|
|
Computer
Music Bibliography
| Acoustics,
Psychoacoustics, and Music Perception |
Additive
Synthesis and Sampling |
| Anthologies
of the Computer Music Literature |
Analysis/Resynthesis
(FFT, PV) |
| Computer
Music Representation and Models |
Composition
with Computers |
| History
of Electro-Acoustic and Computer Music |
Computer-Based
Musical Analysis |
| Mathematics
and Digital Signal Processing (DSP) |
Interactive
Performance Systems |
| Multiple
Wavetable, Wave Terrain, and Granular Synthesis |
Interactive
Signal Processing |
| Nonlinear
Distortion and Waveshaping Synthesis |
MIDI |
| Reverberation,
Auditory Localization, 3D Sound |
Music
Languages |
| Synthesis
Using Distortion Techniques |
Physical
Modeling |
| Textbooks/Sound
& E-A Instrument Design |
Subtractive
Synthesis |
| Synthesizer
Design and Theory |
Speech/Formant/LPC |
| Wavelets |
|
|
| Leonardo
Music Journal Articles | PDF Documents for downloading
| Download sizes given |
These
links are HTML abstracts of each article with links to PDF docs
| The
Springboard: The Joy of Piezo Disk Pickups for Amplified Coil Springs -
Eric Leonardson |
| Electronic
Musical Instruments: Experiences of a New Luthier - Bert Bongers |
| My
Favorite Things: The Joy of the Gizmo - Nicolas Collins |
| Noises
Off: Sound Beyond Music - Nicolas Collins |
Acoustic,
Electric and Virtual Noise: The Cultural Identity of the Guitar (46 times)
Gavin
Carfoot |
| Displaced
Soundscapes: Survey of Network Systems for Music & Sonic Art Creation
- Álvaro Barbosa |
| Influence
of Recording Technologies on Early Development of Electroacoustic Music
- Peter Manning |
| Interactive
Sonification: Aesthetics, Functionality and Performance - Gil Weinberg,
Travis Thatcher |
| Pleasure
Beats: Rhythm and the Aesthetics of Current Electronic Music - Ben
Neill |
| space-dis-place:
How Sound and Interactivity Can Reconfigure Apprehension of Space - Stuart
Jones |
| Introduction:
Sound and the Social Organization of Space - Tara Rodgers |
| Cyberinstruments
via Physical Modeling Synthesis: Compositional Applications - Juraj
Kojs, Stefania Serafin, Chris Chafe |
| David
Tudor: The Delicate Art of Falling - Bill Viola |
| Rorschach
Audio: Ghost Voices and Perceptual Creativity - Joe Banks |
| Pretty
Paper Rolls: Experiments in Woven Circuits - Peter Blasser |
| From
Stethoscopes to Headphones: An Acoustic Spatialization of Subjectivity
- Charles Stankievech |
| Listening
to History: Some Proposals for Reclaiming the Practice of Live Music -
Jon Rose |
| John
Cage and Recording - Yasunao Tone |
| Too
Many Notes: Computers, Complexity and Culture in Voyager (-
George E. Lewis |
| Why
Live? Performance in the Age of Digital Reproduction |
| Listening
to History: Some Proposals for Reclaiming the Practice of Live Music -
Jon Rose |
| When
Sound Meets Movement: Performance in Electronic Dance Music -
Pedro Peixoto Ferreira |
| A
Cure for Musicians Afflicted with Baumol's Disease: Squeezing More Music
out of Performance in the Age of Digital Reproduction |
| Intimachines
- Michael Filimowicz |
| Antecedents
of Digital Reproduction in Jazz Improvisation - Scott J. Simon |
| Travelers
Inside Pianos: Spurious Landscapes - Brett Ian Balogh |
| On
Missing the Live of the Everyday Ambient - Natalie Bell |
| Whale
Music: Anatomy of an Interspecies Duet - David Rothenberg |
| Eavesdropping:
Network Mediated Performance in Social Space - Jack Stockholm |
| Structure
in the Dimension of Liveness and Mediation - Jeffrey M. Morris |
| The
Biography of the Sample: Notes on the Hidden Contexts of Acousmatic Art |
| Glenn
Gould, the Vanishing Performer and the Ambivalence of the Studio
- Tim Hecker |
| My
Favorite Supplement: The Joy of the Gizmo - Patricia Bentson |
| Expectations
of Virtuosity: Thoughts on Longevity in Electronic Instrument Design
- J. Anthony Allen |
| Lost
and Found: The Mincer - by John Richards |
| The
Role of Ambiguity within Musical Creativity, by John Ferguson and Paul
Bell |
| Glimmer:
Lights, Orchestral Performance, and Audience Participation, by Jason Freeman |
| Dialogic
Instruments: Virtuosity (Re)Located in Improvised Performance, by Dr Paul
Stapleton |
| The
Miracles of Feedback, by Mario van Horrik |
| ArtScience:
The Essential Connection - Project |
| Art
and War: The Role of Artists and Scientists inTimes of War - Project |
| To
Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic
Compositional Methods - Flo Menezes |
| "Between
Form and Force: Connecting Architectonic, Telematic, and Thermal Spaces"
by Mario Ramiro |
| "Evanescent
Realities: Works and Ideas on Electronic Art," by Carlos Fadon Vicente |
| "Lygia
Clark and Hélio Oiticica: A Legacy of Interactivity and Participation
for a Telematic Future," by Simone Osthoff |
|
| Music
Industry Advice and Support Resources
Working
in any aspect of the music industry is a learning process, and when you
are learning as you go, it can be easy to take the wrong path or end up
stuck in a bad deal. Learn more about the groups that are out there who
can help you as you learn the ropes and give you unbiased advice about
decisions you are facing. |
| Is
Music 2.0 the Future of Digital Music?
Mark's
Digital Music Blog | "A revolutionary new digital music format
called MT9 has been developed by the Electronics and Telecommunications
Research Institute" | |
| Future-Music.com
"You
are a young music lover, you cam compose music using anything from your
personal computer and soft synths to a room full of equalizers, samplers,
keyboards and a whole lot of composing stuff then you are at the right
place and Future Music is the perfect magazine for you. " |
| FutureMusicTalk
Bruce
Houghton: 3 Trends Driving The Music Industry In 2009 |
| The
future of music
" I've
seen the future and it will be... A battle between the Cathedral and the
Bazaar. Before I explain what I mean, I will be the first to admit that
all this is rather pretentious. Attempting to predict the future of a complex
dynamic system is, by definition, impossible. However, I believe that we
can influence the direction the system evolves and I hope that what I write
becomes more of a self-fulfilling prophecy rather than anything else. With
that disclaimer, let's move on: " | A battle between
the Cathedral and the Bazaar | Chaos and complexity |
The Bazaar vs. the Cathedral | Free Music: what it means
| The future: a world of musicians | Commerce in the
Bazaar | The Bazaar is thriving and the Cathedral is dying
| Credits and further reading | |
| Future
Music Mag
If
you're into making music with technology in any shape or form, from computers
and software synths to a room full of samplers, rack effects and keyboards,
then Future Music is the magazine for you. | View
current issue |
| Immersion
Music
Immersion
Music develops and presents new musical experiences that bridge the gap
between traditional forms and new technologies. We build multimedia
enhancements to classical music: live performances, museum exhibits, public
installations, and educational laboratories. Our projects expand
and transform the skills of trained musicians and define a new set of possibilities
for musical expression in the performing arts of the future. Events
& Projects | Press
Releases | Archive
| |
| Bill
Gates: World Entering 'Second Digital Decade'
TimesOnline
| "“This is just the beginning. There is nothing holding us back
from going much faster and further in the second digital decade."
He added that the new digital decade will be increasingly “user-centric”
and the trend is for media and entertainment to be software driven"
| |
| FutureOf
Music Coalition
The
Future of Music Coalition is a not-for-profit collaboration between members
of the music, technology, public policy and intellectual property law communities.
The FMC seeks to educate the media, policymakers, and the public about
music / technology issues, while also bringing together diverse voices
in an effort to come up with creative solutions to some of the challenges
in this space | manifesto
| articles
| resources
| research
| newsletters
| releases
| events
| FAQs
| |
| Eyeborg
Hearing
a Colour Wheel. Neil Harbisson | Google results | |
| International
Computer Music Assn
The
International Computer Music Association is an international affiliation
of individuals and institutions involved in the technical, creative, and
performance aspects of computer music. It serves composers, computer software
and hardware developers, researchers, and musicians who are interested
in the integration of music and technology. | What's
New | Resources
| ICMC
| Site
Map | |
|
