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Outside Shore Music  |  A Jazz Improvisation Primer  -  by Marc Sabatella  |
  • Contents  |  Preface  |  Goals  |  A Brief History Of Jazz  |  Early Jazz  |  Big Band Jazz and Swing  |  Bebop  |  Cool Jazz  |  Hard Bop  |  Post Bop  |  Free Jazz and the Avant Garde  |  Fusion  |  Post Modern Jazz  |  The Present  |
  • Jazz Fundamentals  |  Structure  |  Swing  -  Definition  -  Practicing Swing  |  Creativity  -  The Creative Process  -  Playing  |
  • Chord/Scale Relationships  |  Basic Theory  -  Intervals  -  Major And Minor Scales  -  Chords  -  The Circle Of Fifths   |  Major Scale Harmony  -  Major Scale  -  Dorian Mode  -  Phrygian Mode  -  Lydian Mode  -  Mixolydian Mode  -  Minor Scale  -  Locrian Mode   |  Melodic Minor Harmony  -  Phrygian #6  -  Lydian Augmented  -  Lydian Dominant  -  Fifth Mode  -  Locrian #2  -  Altered Scale   |  Symmetric Scales  -  Whole Tone Scale  -  The Diminished Scales  |  Pentatonic Scales  |  Derived Scales  -  The Blues Scale  -  Minor Scales  -  Bebop Scales  -  Synthetic Scales   |  Chord/Scale Chart   |
  • Applying The Theory To Improvisation  |  Melodic Development  -  Pacing  -  Phrase Construction  |  Playing Changes  -  ii-V  (Major Keys  -  Minor Keys)  -  Blues  -  Rhythm Changes  -  Coltrane Changes  |  Modal Improvisation  |  Chromaticism  |  Non-tonal Improvisation  |  Free Improvisation  |
  • Accompanying  |  Chordal Instruments  |  Chord Voicings  -   3/7 Voicings  -  Quartal Voicings  -  Polychord and Upper Structure Voicings  -  Close Position and Drop Voicings  -  Other Scale Based Voicings  |  Reharmonizing  |  Comping Rhythms   |  Bass  |  Walking Bass Lines  |  Pedal Point  |  Counterpoint  |  Other Bass Patterns  |  Drums  |  Other Instruments  |
  • Playing With Others  |  Organization  |  Dealing With Problems  |
  • Listening Analytically  |
  • Breaking The Rules  |
  • Annotated Bibliography  |  Fakebooks  |  Instructional Books  |  History And Biography  |
  • Annotated Discography  |  Basic Recommendations  |  Listing  |

  • Jazz Standards  |

     
     

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