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    CrewPro  |  a place for touring personnel, musicians and rookies to advertise to all employers in the music industry, corporate events and trade shows. Crewpro.com is a resource for management and employers to staff all needs in the most cost efficient and timely manner. Rookies will find Crewpro.com to be an invaluable tool in developing their music business careers |

    Musicians Institute Launches Non-Profit, Scholarship-Based Organization - The Musicians Foundation  |  Offers A Genre-Busting Range Of Instrument, Recording and Specialized Programs Geared to Launch Real World Careers In The Music Industry  |  Mi2N

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    Music Careers  @  EzineArticles.com

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    Artistic Pursuit - Where Artists Pursue their Dreams by Paul Alexander Shelton  -  The mission of Artistic-Pursuit.com is to become the most recognized destination for artists and fans to connect worldwide. We want to provide members with inexpensive entertainment in a community setting.

    Measuring Your Success by Jo Brew  -  If you can measure success, it stands to reason that you can stay on track and know if you are getting closer to your goal. In this article I'll show you some simple and practical ways that you can use to determine if you are getting closer to your goals.

    Create A Buzz - If You Build It They Will Come! by Sheena Metal  -  Building a music career is hard work

    Dealing With Music Critics by Kathy Unruh  -  If you are an aspiring songwriter, musician or indie artist, then sooner or later you will come face to face with music critics

    Backstage Pass - One Way to Get Free Backstage Passes by John Eddings  -  The label for the band/singer loves the media they will Bend over backwards for a chance to get more media attention of the good kind remember The media can make or break a band/singer

    The Curse of the Musical Legends by Elaine Sihera  -  Can the children of legends ever be legendary themselves? Or, despite their golden headstart, is their fate sealed in mediocrity from the time they are born?

    Lessons Learned From American Idol by Gian Fiero  -  This article sheds light on five invaluable lessons that are imparted upon music artists who watch the show with dreams of one day becoming a commercial music success, or the next American Idol.

    The Healing Power of Music by Mark Romero  -  Two years ago I was invited to play guitar at an open house for a wellness center. After my performance, the lady that owned the center came to me claiming she could hear healing tones in my music. Coming from the left-brain corporate world, I thought she was crazy. She said she wanted to give a CD of mine to a team of scientists that would be very interested in my music.
     
     
     

    Career Tips From:  Google Scholar

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    An Investigation of Burnout Assessment and Potential Job Related Variables among Public School Music Educators

    Music improves patient comfort level during outpatient bronchoscopy

    Stress, Coping and Stage Fright in Professional Musicians

    Music Performance Anxiety Reconceptualized: A Critique of Current Research Practices and Findings

    Popular Musicians Under Pressure

    Working in music: the conservatoire professor

    Life histories of music service teachers: The past in inductees' present

    Enriching the traditional music classroom through Internet-based technologies

    The Brain That Plays Music and Is Changed by It  -  ALVARO PASCUAL-LEONE

    Peripatetic music teachers approaching mid-career: a cause for concern?

    Measuring Resemblance in Sequence Data: An Optimal Matching Analysis of Musicians' Careers

    The classroom music teacher–inspirations, aspirations and realities.

    Alternative Country: Origins, Music, World-View, Fans, and Taste in Genre Formation.

    Music Careers.net

    Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music

    Graduate Music Students’ Attitudes toward Research

    ```Copyright, fair use and the for profit sector'' -

    Idea Bank: Job Quest
     
     
     

    Career Tips From:  Music Careers.net

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    The Future of Music Careers  -  In this first in a series of articles for Music Careers, Peter Spellman reflects on where things are at and where things may be going in the music industry

    Four Tactics to Pack Fans Into Your E-mail List   -  Have you been dreaming of a huge email list? Sean Farrington of BandProfit.com shares four techiniques on how to build a marketing powerhouse mailing list.

    Sound Engineering Schools  -  Dan has been kind enough to find a good comprehensive list of sound/engineering schools on the web. He also offers a few thoughts about choosing a school that's right for you.

    Playing For Life  -  What is your definition of a successful guitarist? I would answer, one who plays for life. I've done okay as a guitarist and I'm going to tell you how I've done it up to this point. How I satisfy both my financial and artistic needs and how you can too.

    Cheap Recording Studios - Worth Every Penny!  -  Kelly Marsh points out that shopping for the cheapest studio may not give you the greatest results and may in fact end up costing you more money than you'd planned!

    Cheap Recording Studios - Worth Every Penny!  -  by Kelly Marsh  -  So, you're ready to take the plunge and professionally record your CD. Where do you go? Kelly Marsh points out that shopping for the cheapest studio may not give you the greatest results and may in fact end up costing you more money than you'd planned!

    Top 10 Tips: Recording a Home Demo  -  by Keane Li  -  Here are ten thoughtful steps to making your home demos sound more professional. Besides being a Guitar Noise reader, Keane Li is also the songwriter/guitarist for the band Festizio. He is also the winner of the 2003 Online Rock Festival's "Original Song" award.

    Recording on a Budget Part 1: The Equipment  -  by Scott Hysell  -  So, you've written and perfected a bunch of original songs and you're ready to lay them down in a permanent form. The problem is, you're probably worried or maybe even a little discouraged by the potential costs involved. It can be incredibly expensive, but have no fear; it doesn't have to be that way

    Recording on a Budget Part 2: Recording Concepts  -  by Scott Hysell  -  The simple truth is, recording (even home recording) can get pretty complicated, but don't let that pile of stuff scare you. As with most things complicated, the recording process can be broken down into a series of steps and concepts that are relatively easy to understand.

    The "Live" Technique  -  by A-J Charron  -  Until (fairly) recently, many bands recorded their first albums (and almost all recorded their demos) this way. A-J takes us through a very busy weekend of recording. This is a great way for the band-on-a-budget to make a recording in a professional studio.

    Home Recording: Equipment and Preparation  -  by A-J Charron  -  A-J gives us more tips on home recording, gleaned from his work on his upcoming CD. Packed with a lot of advice for the do-it-yourself person in all of us, A-J goes over the necessary equipment and the need to be prepared so that you can make your home recording experience as painless as possible.

    Recording With Your Own Money (Without a Producer)  -  by A-J Charron  -  So you've decided it's time to record an album, yet you have no label backing you. It's a great idea overall: presenting a finished album to a label is much more interesting for them as all the work is already done. They just need to put it into production and onto the store tablets.

    Where Does All The Money Go?  -  by A-J Charron  -  Ever see some pop or rock star in an interview complaining that he/she has no money? You're thinking "yeah, right!". They sold so many albums that they have to be rich. Let's see how it works.

    How to Record An Acoustic Guitar  -  by Steve Elliot  -  Let's face it, capturing a decent acoustic guitar tone is not an easy task. Here are some tips that will help you cover the basics of this deft art and avoid the pitfalls that will render your efforts a jangly and dolorous cacophony. So if you don't want your Dreadnought to sound dreadful, read on.

    Can You Really Do It All Yourself?  -  by Stephen Sherrard  -  Recently, on the message board on this site, someone was thinking about buying a digital recording system and was wondering if he really could get major label quality results from a low budget home studio system. This is my unedited reply to that question.

    3D Mixing and the Art of Equalization  -  by Stephen Sherrard  -  When you're mixing your CD it's more important to look at the finished picture than at the parts. Learn the intricacies of "sound sculpting" and EQ in this piece from Stephen's site, Music and Technology.com.

    Compression - A Simple Explanation  -  by Stephen Sherrard  -  A compressor is basically a variable gain device that is used to either try to smooth out the dynamic range of a signal, or is also sometimes used as an effect. Different compressors have different types of characteristics and sounds that they impart to the source signal as well... the really expensive compressors are often expensive because of the character of their sound that is desirable for a lot of applications.

    Do's and Dont's on Gigging Like a Pro!  -  by Lesa Taylor McCabe  -  The Manager is the poor slob that gets the job no one else wants. The person that can talk to anyone, anytime, anywhere, and about anything, and do it well. It is my job to make contact, keep in contact, and keep the contact happy. This involves many things, please, allow me to explain.

    The Importance of a Contract  -  by Lesa Taylor McCabe - August 19, 2002  -  When you and a club have decided that you and your band are the perfect match, dates are settled on, price is negotiated, the next step is to put all this in writing. This is for the protection of both parties.

    How To Advertise Yourself and Your Band  -  by Lesa Taylor McCabe  -  The "Life Blood" of a band, any band, is advertising!! I'm sure you have heard the saying "Any press, even bad press, is good." Why? If you can get people to hear about you, say your name, talk about you over coffee, without hurting anyone or committing a crime, this is "good".

    What Should I Have in my band's Promo Package?  -  by Lesa Taylor McCabe  -  Your promo is what's going to sell you to a club. It is the first impression you will give. And you will only have about a minute to make your point. Club owners and managers are very busy people. They won't or can't spend a long time looking at your band's promo. So, how do you make that lasting impression, hmm?

    5 Essentials of Music Career Success - Written by Peter Spellman

    How To Audition New Band Members - by Lesa Taylor McCabe - Payday Daddy's bassist/manager, Lesa McCabe gives us some great tips on how to go about finding new band members.

    Tips to Live and Learn By: On and Off the Gig - by Joe Benedetto - We've got a couple of quick Articles this week that make nice "check lists." First up, bassist Joe Benedetto gives us a run down of practical items to bring to your gig. Myself, I'd add a second towel to the list

    Song Dynamics - by Joe Benedetto - Song dynamics, you ask? Yes. In my opinion, this is what separates the men FROM the boys and the women FROM the girls. I know we are all guilty of it: playing at one volume that is loud or playing above the rest of the mix

    Telephone Skills - by Joe Benedetto - The other night as I was drifting off to sleep I started to think. I couldn't help but feel overwhelmed about all the auditions and long phone calls that never panned out. The reasons were numerous, too many times a week, too far, too young, too old, too inexperienced, too experienced...everything was a conundrum

    The Little Black Book - by Joe Benedetto - After reading and hearing about bass players concerned with finding a drummer, guitarist, horn player, or anything else for their ultimate band, I thought I would share one of my record keeping skills: keeping notes, names and phone numbers of band members

    My Secret Life as a Bass Player - by Tracy Hardy Johnson - I heard there was an "open stage" for this band, so I showed up and jammed with them...and I've been their bass player ever since. We're Drew's Cruisers: guitar, bass, drums, and a keys/tenor sax fellow

    Hippie Rock and Roll - by Mab O'Connor - Back in 1969 I lived on Castro Street right in the Heart of San Francisco, California. Now 33 years later, I find myself in a band playing all the great songs of the Woodstock Era. So don't ever let anyone tell you that you are too old or too young to start in a band. I will be 53 years young this May, and our band has been together two years now.

    One Minute of Fame - by Mab O'Connor

    The Shapes of Things to Come - by Chris Juergensen - Chris Juergensen describes the current state of affairs in the music industry and shows us why the internet is one of the greatest tools for the apsiring musician and why now is a great time to be producing, marketing and selling your own music.

    Playing With Euros - by Hans Fahling
     
     
     
     

    Career Tips From:  TAXI.com

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    What does A&R stand for?    |   How do I get my music to an A&R person?  |  What will make an A&R person want to sign me?  |
    Articles about A&R  |

    What is publishing?  |  Do I need a publisher?  |  Do I need to start my own publishing company?  |  How do I make money from publishing?  |
    Articles about publishing  |

    How do I improve my songwriting?  |  What if I just write lyrics?  |  Could working with another songwriter improve my chances of success?  |
    Articles about songwriting  |

    Do I need to copyright my material?  |   How do I copyright my songs?  |  What are the chances my song will be stolen?  |
    Should I copyright my material before submitting to TAXI?  |  Articles about copyright information  |

    How well-recorded do my demos have to be?  |   Should I record in a professional or home studio?  |  Should I use a producer?  |
    Should I sing my own demo?  |  Articles about recording  |

    What is a Performing Rights Organization?  |  When do I need to join a Performing Rights Organization?  |  How can a Performing Rights
    Organization help my career?  |  More information on Performing Rights Organizations  |

    Do I have to write instrumental "scores" to get my music in films and TV Shows?  |  Are my home recordings good enough, or do I need a "pro" studio recording?  |

    How can a Performing Rights Organization help my career?

    More information on Performing Rights Organizations

    Do I have to write instrumental "scores" to get my music in films and TV Shows?

    Are my home recordings good enough, or do I need a "pro" studio recording?

    How much money can I make?

    How do I get my music placed in films and TV shows?

     Articles about film & TV music

    Do I need a manager?

    At what point should I get a manager?

    What are some key points in a management contract?

    Articles about management

    How do I promote myself as an artist?

     How do I get my music on the radio?

    How can I build a fan base?

    Do I need to hire an outside marketing company?

    How do I book my own gigs?

    How do I get a booking agent to book gigs for me?

    Articles about promotion

    Articles that will help you come up with the "Big Idea"

    How do I get paid when other people record my songs?

    How do I get paid from record sales?

    How do I get paid from radio airplay?

    How do I get paid from film and TV usages?

    Articles about making money with your music
     
     
     
     

    Career Tips From:  MusicBizAcedmy.com

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    Guerrilla Music Marketing Suggestions - by Christopher Knab

    How Your Record Label  -  Keeps You Busy Marketing Your Music While on Tour  -  by Christopher Knab

    Sell Your Music Online, Part 1  -  by Christopher Knab

    Sell Your Music Online, Part 2  -  by Christopher Knab

    Planning Your Radio Promotion Campaign - by Christopher Knab

    Online E-Music Retailing  -  by Christopher Knab

    How Record Labels and Radio Stations Work Together  -  by Christopher Knab

    Music, Business and Technology: Adapt or Die  -  by Christopher Knab

    What is Artist and Product Development?  -  by Christopher Knab

    The "Creative" You and the "Business" You  -  by Christopher Knab

    I Get So Many Clueless Letters! by Christopher Knab

    Artist/Band Interview Form  -  by Christopher Knab

    How and Why Major Labels and Independent Labels  Work Together  -  by Christopher Knab and Bart Day

    10 Essential Tips for Making a Living with Your Music  -  by Christopher Knab

    2004 Career Inventory Sheet  -  by Christopher Knab

    10 Reasons Why Most Demo Recordings are Rejected  -  by Christopher Knab

    35 Tips for Self-Management as a Musician  -  by Christopher Knab

    Income and Expenses for Developing your Music Career  -  by Christopher Knab

    25 Things to Remember About Record Distribution  -  by Christopher Knab

    Becoming a 'Priority' at a Record Label  -  by Christopher Knab

    Do's and Don'ts For Audio and Other Music Oriented Interns: Or, How to Impress Your Internship Employer and Become Successful in the Recording Industry  -
    by Christopher Knab

    Prototype Band Tour and Work Schedule  -  by Christopher Knab

    A Music Business Revolution  -  by Christopher Knab

    A Record Distribution Test  -  by Christopher Knab

    Thoughts for the Aspiring Musician  -  by Christopher Knab

    Copyright and Songwriting Basics  -  by Christopher Knab

    10 'Reality Sandwiches' For The Independent Musician. -  by Christopher Knab

    What's a Record Label Deal All About?  -  by Christopher Knab

    Inside Record Labels: Organizing Things  -  by Christopher Knab

    Music Industry Quotes To Live By  -  by Christopher Knab

    Deals That Await Successful Independent Music Labels  -  by Christopher Knab and Bart Day

    Career Planning, Part One  -  by Christopher Knab

    Career Planning, Part Two  -  by Christopher Knab

    Career Planning, Part Three  -  by Christopher Knab

    The New Millennium and Changes In The Music Business  -  by Christopher Knab

    10 Tips for Developing Musicians  -  by Christopher Knab

    What A&R Reps Do  -  by Christopher Knab

    How to Write a Cover Letter Prototype and Instructions  -  by Christopher Knab

    Test Your Knowledge: How to Shop for a Record Deal   -  by Christopher Knab

    The Business of Music  -  by Christopher Knab

    Access to the Audience Who's Guarding the Gate?  -  by Christopher Knab

    Changes in the Way Music is Sold Over the Last 30 Years  -  by Christopher Knab

    Your CD Cover Is Your Most Important Advertisement  -  by Christopher Knab

    Do You Really Need To Invest In Your Own Barcode?  -  by Christopher Knab

    Top 10 Graphics Tips for Designing CDs  -  by Christopher Knab

    Check Your Music Sales Knowledge  -  by Christopher Knab

    Music Distributors: How to Attract them  and How to Work with Them  -  by Christopher Knab

    Tax Tips for Musicians  -  by Christopher Knab

    Artist Income Sources  -  by Christopher Knab

    How to Write a Music-Related Press Release  -  by Christopher Knab

    How To Improve Your Press Kit  -  by Christopher Knab

    Tips for Working With the Press  -  by Christopher Knab

    Promo Kit Photos  -  by Christopher Knab

    Check Your Public Relations Knowledge  -  by Christopher Knab

    Ingredients of a Demo and/or Press Kit  -  by Christopher Knab

    How to Write an Artist Biography:  -  A Bio Made Simple  -  by Christopher Knab

    Band Fact Sheet Prototype  -  by Christopher Knab

    Music Publicity Plan  -  by Christopher Knab

    The Business of Live Performance  -  by Christopher Knab

    Live Performance and Marketing Music  -  by Christopher Knab
     
     
     
     

    Music Careers  @  MusicDish Industry e-Journal

    ....
    The Term 'Artist'

    Career Inventory Sheet

    Enthusiasm Rules!

    5 Essentials of Music Career Success

    Career Strategies That Work And Don't Work (One Musician's Practical Perspective)

    Attraction: What We Attract With Our Creative Choices

    Make A Contribution Because It Contributes To Yous

    Meticulous At Being Ridiculous: Recording Jingles For BBC Radio

    Back To Basics (10 Essential Tips ForMaking a Living With Your Music)

    How To Create Your Own Destiny By Learning To Do It Yourself

    The Musician's Action Plan (Part 2)   Part 1

    The Big Picture – Dreams Versus Goals